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St. Divine – New Kind of Kick
A New Kind of Kick from St. Divine – Bringing Alternative Rock to the Forefront
St. Divine, the evocative five-piece band from New York City, is ready to make its mark with the release of their debut EP, “you can’t go forward and you can’t go back,” launched on May 2nd, 2025. Fronted by multi-talented Will Croxton and author-cum-musician Judy Ann Nock, St. Divine unveils their artistic prowess in this much-anticipated release, highlighted by the single “New Kind of Kick.”
The EP presents a tapestry of sound, weaving together five original tracks alongside two surprising covers. Critics are already buzzing with approval, as evidenced by the well-received single “We Had Love,” noted in several prestigious music publications.
Kicking off this sonic journey, “New Kind of Kick” encapsulates their trademark alternative rock essence, promising a fresh yet familiar vibe that transports listeners into a euphoric aural landscape. St. Divine’s performances echo their commitment to meaningful music, consistently supporting causes such as the ACLU with their artistry. As they prepare for a series of Northeast and Midwest tours, this EP release marks a pivotal chapter in redefining the alternative rock genre.
L’ESPIRAL – Mr. Babylon
L’ESPIRAL Returns with Genre-Blurring Mastery on “Mr. Babylon”
L’ESPIRAL‘s latest single “Mr. Babylon” dives deep into the ethereal tapestry of indie folk and alternative pop. This emerging duo seamlessly fuses Zoë Bleu’s haunting poetry with Reggie Debris’s evocative soundscapes, creating an auditory exploration that echoes the emotions of lost love and memory. Within the track, a woman grapples with the echoes of her past, finding that even in heartache, new life blossoms in the gardens of her mind—a testament to the duo’s thematic agility.
Following their acclaimed cover of Sinéad O’Connor’s “Troy,” L’ESPIRAL’s artistry continues to flourish. Their previous releases like “Erotes” and “Cassiopeia” highlighted their dynamic range, from dreamlike balladry to fiery post-punk disco. “Mr. Babylon,” offers a new chapter, foreshadowing the duo’s upcoming album “SQUAWK!, Cried Love,” released on October 24th.
L’ESPIRAL draws from an eclectic palette of influences—think David Lynch’s surrealism meets Cocteau Twins’ aural mystique—establishing them as a unique force in today’s music landscape. Stay tuned for the unveiling of their latest sonic adventures.
Dream Bodies – Don’t Look Back
Chugging Towards the Stars: Dream Bodies Unleashes “Don’t Look Back”
With a rhythmic intensity that echoes through the corridors of post-punk history, Dream Bodies’ latest single, “Don’t Look Back,” marks a compelling entry into the darkwave realm. Comprised of percolating bass synths and ethereal synth pads, the track is a powerful fusion of synthwave and post-punk—a genre cocktail that nods to the haunting undertones of The Cure and the synth-driven elegance of New Order.
Dream Bodies, the brainchild of Steven Fleet, finds itself amidst luminous post-punk influences, with inspirations drawn from storied icons like Clan of Xymox and Cocteau Twins. The emotional backbone of “Don’t Look Back,” revived from Fleet’s collaboration with Dexy Valentine, reverberates with a message of forward motion, encouraging listeners to embrace the unknown beyond a blue-black sky.
It’s a melancholic yet hopeful anthem, elegantly shadowed and beautifully arranged for those seeking solace or adventure beyond the horizon of the familiar. Don’t Look Back stands not just as a song, but as a mantra—a call to the open road of possibility.
PoST – Ten Little Indies
Alternative Rock Revival with PoST’s ‘Ten Little Indies’
Reawakening their sonic prowess, Italian quartet Proud of Serving Tuna (PoST) returns with their tantalizing album “Ten Little Indies.” With this 2024 release, PoST ventures into new musical landscapes while staying true to their indie rock essence. Known for their idiosyncratic arrangements, PoST weaves a tapestry of catchy melodies and distinctive harmonic progressions, defining the boundaries of alternative rock.
The journey leading to “Ten Little Indies” saw the formation’s transformation, notably through the integration of musician Daniele Maresca. His influence introduced vibrant piano and synth layers, propelling the band’s sound into fresh territories. Recorded at Real Sound Studio in Milan, the album boasts intricate production partnered with the expertise of engineer Eto Gilardoni, and mixed in London by Pietro Cavassa.
Cultivating a reputation beyond Italy, the band’s unique auditory narrative carries a promise of unexpected twists in each track, solidifying PoST’s presence in the indie rock realm. “Ten Little Indies,” released under Reverse Rivers Music, indeed heralds a new chapter for PoST, painting the alternative rock scene with broader musical strokes.
John Deering – Groove, Groove, Groove
John Deering’s “Groove, Groove, Groove” – A Journey Through Sound and Time
In the ever-evolving soundscape of independent music, John Deering‘s “Groove, Groove, Groove” emerges as a striking testament to his passion for crafting unforgettable melodies. Infused with the vibrant influence of The Police, particularly Andy Summers’ iconic rhythmic guitar work, Deering’s latest single serves as a nostalgic nod to his formative years at the Jersey Shore. It’s a masterclass in bedroom pop and garage rock, recorded in the intimacy of his personal basement studio—the crucible of his creative journey.
This track, a sonic homage to his youth, shines through its intricate arrangement, marrying seamless layers of guitars, keyboards, and multitracked vocals. Collaborations with notable musicians, like Peter Anderson and advisements from the renowned Ryan Smith, have further enriched its sound. With “Groove, Groove, Groove,” John Deering not only reflects on cherished memories but also forges a new path into the ever-shifting currents of independent music, marking a pivotal moment in his return to songwriting and performance.
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