![Bungalows [ new indie ] | Tuesday Weekly Feature Update - Press Image](https://songplode.art/wp-content/uploads/2025/02/Bungalows-Indie.jpg)
> Bungalows [ new indie ] – feature updates every Tuesday
listen to the article
Worldview – Everything Is Temporary
Worldview: A Sonic Journey Through Impermanence
With the release of Everything Is Temporary, Oliver Shaw, adopting the moniker Worldview, takes us on a poignant journey through themes of transience and nostalgia. Stemming from the storied hallways of Oxford, this album is a quintessential amalgamation of Britpop, classic rock, and new wave influences with an eclectic touch. These eleven tracks create an intricate mosaic, seamlessly blending robust rock riffs with the gentler tones of folk. Instruments ranging from Moogs to musical boxes and Telecasters to Theremins make this album a diverse auditory experience.
Worldview‘s exploration of the impermanent nature of life is no less profound than philosophical musings set to melody. Tracks embody layers of warmth and wit, reminiscing on the past while beckoning the future. For aficionados of indie experimentation and lyrical introspection, Everything Is Temporary offers both an aural escape and a comforting reminder of life’s ephemerality. Don’t miss this captivating release available on digital platforms from January 17, 2025.
The Sea At Midnight – Our Brilliant Destruction
Our Brilliant Destruction: A Poignant Blend of Music and Philanthropy
The Sea At Midnight emerges from the vibrant pulse of Los Angeles with their captivating single “Our Brilliant Destruction,” released on January 16th, 2025. This track is a mesmerizing journey through the depths of Post-Punk and Alt-Rock, offering a sonic landscape that’s as intricate as it is immersive. The darkwave and synth-pop influences intermingle seamlessly, showcasing the band’s impressive musical prowess. Led by the multi-talented Chris King, renowned for his work with Cold Showers and Kai Tak, the band has crafted a sound that is an auditory delicacy for fans of Indie Rock.
What truly sets this release apart is the altruistic spirit behind it. Committed to turning their craft into a force for good, the band has pledged to donate all proceeds from their Bandcamp sales to aid victims of the recent devastating LA fires. This fusion of music and philanthropy not only amplifies the emotive weight of the single but also positions “Our Brilliant Destruction” as a rallying cry for change and community support.
The Afro Nick – Get There Before Noon (LA mix)
Making Waves with Soulful Anthems: The Afro Nick’s Latest Release
The Afro Nick is set to captivate listeners with “Get There Before Noon (LA Mix),” a single that blends the dynamism of Alt-Rock with the intricacies of Indie and Psych influences. Born in the echoing streets of Crete and now calling LA home, The Afro Nick’s journey is as storied as the poignant narrative he etches into each release. Collaborating across continents, this single boasts contributions from Grammy-winning synth player Leonardo Genovese and features rich, emotive soundscapes.
“Get There Before Noon” captures the urgency of living life in the present, drawing listeners into its reflective core with lyrics that remind us “to live this life, not yesterday.” The soulful anthem is punctuated by thick guitar riffs and electronic melodies that resonate with The Afro Nick’s deep, raspy voice. This artistic synergy promises not only to infuse a sense of urgency and hope but also to redefine the listening experience across indie and alternative landscapes.
Beach Vultures – Pocket
From Melbourne Rehearsal Spaces to Indie Iconism: Beach Vultures Soars with ‘Pocket’
Beach Vultures, a duo known for their garage rock rawness, releases their sophomore single, “Pocket,” on Thursday, November 28. Self-recorded in both their rehearsal space and at home, “Pocket” stands as a testament to their DIY credibility. Drummer Alan McTaggart steps into the dual role of mixer, adding to the track’s authenticity and pulling inspiration from indie guitar legends. The song encapsulates the edgy energizing blend of garage rock and indie pop, with a slacker rock vibe that gives a nod to lazy summer days and Jack White’s searing guitar solos.
The duo’s musical synergy echoes the sounds of Ty Segall and King Gizzard, coupling it with an indie pop flair reminiscent of Soccer Mommy and Snail Mail.
Fans can experience their captivating synergy live for free at Ringo Barr on December 8. “Pocket” solidifies Beach Vultures as architects of indie charm and gritty riffs.
9 o’clock Nasty – King Thing
9 o’clock Nasty Returns with Beat-Heavy Narrative in “King Thing”
In a rock landscape perpetually transitioning from one zeitgeist to another, 9 o’clock Nasty plants their flag firmly with “King Thing,” a bold single encapsulating an era where old hierarchies clatter and new voices resonate. The group’s characteristic blend of Alternative Rock, Post-Punk, and Art Rock spills into this track, creating a sonic rollercoaster that’s as precise as a Swiss watch yet packed with gritty undertones.
Emerging from their hit 2023 release, “King Thing” has been meticulously revamped. With each swoon of the majestic guitar and every pulse of the dirty bass, the band explores themes of superiority, privilege, and internal conflict in the volatile dance of identity against societal expectations. This isn’t just a song—it’s a volley against the perpetual inequities cloaked in the tunes of rap rock gusto and new wave fervor.
Part of the Lucy Phillips Art Fund compilation “I’m Not A Fucking Metronome,” the track proves timeless as it gears for a re-release. This isn’t a mere track for a playlist—it’s an anthem for those waiting for thrones to topple.
If you would like to submit your music for playlist or feature consideration, please submit here via our partnership with MusoSoup.
