The Muster Point Project Skewers Ad Culture on “That’s How They Getcha”

The Muster Point Project | That's How They Getcha - Press Image

A Bright, Jangly Indie-Rock Jab At Hype, Spin, And Smoke-And-Mirrors Promises

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The Muster Point Project knows how to make a point without losing the groove. On That’s How They Getcha, Kevin Franco turns his sharp eye towards the advertising world, dressing the critique in a bright, punchy indie-rock arrangement that lands somewhere between party-starting pop-rock and sly social commentary. It’s the kind of song that smiles while it sizes you up, letting the hook do its work before the warning fully sinks in.

Franco, a multi-instrumentalist singer/songwriter who splits his time between Calgary and Santiago, brings a lived-in scepticism to the track. That perspective matters here. “Working in advertising gave me two things: an appreciation for a great hook and a suspicion of almost everything being promoted,” he says, and that tension becomes the engine of the single. The song leans into the same contradiction: catchy, playful, and always aware of the sales pitch hiding just behind the curtain.

Musically, That’s How They Getcha has a fizzy, jangling momentum that calls back to the off-kilter charm of the B-52’s, with dance-floor swagger tucked into its guitar work. The hooks arrive fast and clean, the rhythm section keeps things moving, and the whole track carries a lightly sarcastic bounce. It is polished without feeling airbrushed, which suits a song about smoke-and-mirrors promises and the gap between what is sold and what is delivered.

The lyrics, co-written with Canadian novelist and frequent collaborator Geoff Moore, sharpen the song’s edge without weighing it down. Franco’s “you should be forewarned!” refrain gives the track its rallying cry, equal parts warning label and singalong bait. That balance is the trick here: the song is funny, but it is not flimsy. It has teeth, and it knows exactly when to show them.

Produced and mixed by Darryll McFadyen, with Marcelo Effori on drums, the recording keeps everything taut and immediate. The drums give the track its forward shove, while the guitars flash and chatter around Franco’s vocal with a mischievous sense of purpose. There is a sense of motion throughout, as if the track is always one step ahead of the pitch it is mocking.

The Muster Point Project has built a sound that can carry a joke, a critique, and a hook all at once. On That’s How They Getcha, Franco makes the sales machine sound irresistible, then quietly shows you the bill.


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