> Bungalows: New Indie – feature updates every Tuesday
listen to the article
Paris Pick – Third Time’s A Charm
Paris Pick Sets Sail With a Smooth, Sun-Dappled Spin on Indie Pop
Paris Pick leans fully into her yacht-pop world on Third Time’s a Charm, steering it with confidence and a sharper sense of identity. The record glows with the hallmarks of the genre—layered vocals, sun-warmed melodies—but there’s a deliberate edge beneath the polish. Co-produced with Jordy Walker, the arrangements balance breezy harmonies with textured guitar work, giving the album both lift and structure without tipping into pastiche.
What holds it together is Pick’s instinct for emotional clarity. The title track lands as a statement of renewal, light on its feet but grounded in hard-earned perspective. “Same Page” slows the tempo just enough to let the tension of growing apart settle in, tracing the quiet realization that love doesn’t always evolve in tandem. On “Get My Baby Back (Extended),” she pivots toward resolve, turning chaos into something forward-facing, carried by a performance that feels both playful and assured.
Pressed on limited graffiti-coloured vinyl through Neon Moon Records, Third Time’s a Charm captures a specific kind of atmosphere—bright, open, and just a little bittersweet. Paris Pick doesn’t simply reference the past here; she reframes it, building a world that feels lived-in, self-aware, and entirely her own.
Powers of the Monk – Sleepy Fields
Powers of the Monk’s “Sleepy Fields” Unveils Luminous Tranquility
With “Sleepy Fields”, Powers of the Monk builds a world where the line between dreaming and waking softens into something luminous. Emerging from their Pontiac–Detroit–Ann Arbor creative corridor, the reformed duo of David S. Monk and CasSondra “Pontiac” Powers shapes a sonic environment that breathes with the gentle sway of poppies across a warm afternoon.
Monk’s airy vocal presence entwines effortlessly with Powers’ expressive violin, forming a soundscape that feels serene, transportive, and deeply human. The track gains added dimension from guest drummer John O’Reilly Jr., while the band’s own production, Bryan Cook’s LA mix, and Brian Callhoun’s Nashville master give the song its crystalline finish.
“Sleepy Fields” captures the quiet shimmer of that in-between space where consciousness loosens and imagination takes hold. Powers of the Monk offers it as an invitation to slow down, breathe deeper, and let the edges of the day blur into something softer.
Some Spirit – Make It Anyway
Some Spirit’s “Make It Anyway” Finds Beauty in the Dark
Some Spirit, the captivating brainchild of Los Angeles-based artist Jonny Diina, unveils “Make It Anyway”—a single that dances on the line between darkwave and alternative rock, evoking the moody allure of Depeche Mode’s introspective sonics. The track begins with a haunting piano motif that sets a somber tone, gradually expanding into a sonic tapestry where synth-pop meets the raw grit of guitar-heavy electronica. Diina’s multi-faceted role—handling vocals, keys, and guitar—crafts an experience both intimate and expansive.
“There’s power in vulnerability,” Diina muses, capturing the essence of this release. As the music swells, listeners are taken on a journey through tension and catharsis, establishing Some Spirit as a vital new voice for those drawn to the shadowy corners of sound. With a sophisticated balance of emotion and energy, “Make It Anyway” resonates deeply, leaving an indelible mark.
Get The Net – Tijuana
Get The Net Light Up with “Tijuana” — A Frenetic Rumble of Pop-Punk Passion
Buckle up as Get The Net catapults back into the spotlight with their heart-racing single, “Tijuana,” a teaser from their much-anticipated album Til House Lights. This Metuchen, NJ trio captures the essence of pop-punk’s golden era while igniting a fresh spark that’s entirely their own. With Ryan Raichilson’s punchy vocals leading the charge, “Tijuana” melds the abrasive charm of garage rock with a shimmering, anthemic chorus ready to tackle wanderlust head-on.
Raichilson, alongside bandmates Brian O’Halloran on bass and Kyle Burnett on drums, channels the crackling energy of The Lawrence Arms and the unabashed momentum of early 2000s punk. As Raichilson puts it, “Do you wanna meet in Tijuana?”—a question that reverberates through your bones, calling listeners into a relentless, rhythmic experience that demands attention. The band’s evolution is tangible, echoing through every distorted riff and driving beat.
Sean Tweedley – Ooola Hooora
Sean Tweedley’s “Ooola Hooora” Charts Humanity’s Dual Nature in an Upbeat Groove
With “Ooola Hooora,” Sean Tweedley dances along the delicate line between the primal and the tender. This original single, dropping from his Los Angeles home studio, is a masterclass in capturing human duality within a catchy groove. Built around a straightforward yet compelling bassline, Tweedley layers acoustic and electric guitars to craft an inviting soundscape, while his first foray into slide guitar adds an unexpected twist. It’s a dynamic blend that feels both effervescent and introspective.
“What makes this release unique,” reflects Tweedley, “is its upbeat, happy groove. It’s simple, fun, and complex simultaneously.” This sentiment echoes in the smiles and lifted spirits of early listeners—a testament to Tweedley’s thoughtful songwriting and the infectious positivity embedded in his music. With the ease of a seasoned storyteller, Tweedley’s “Ooola Hooora” stands ready to resonate across sound waves, leaving a trail of joy.
If you would like to submit your music for playlist or feature consideration, please submit here via our partnership with MusoSoup.
